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Eyeborgs [Blu-ray]

Adrian Paul (Acteur), Megan Blake (Acteur), Richard Clabaugh (Réalisateur) Classé: Accord parental souhaité Format : Blu-ray
4,0 sur 5 étoiles 79 évaluations
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19 octobre 2011 		—
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Genre Science Fiction
Format Cinémascope, Couleur
Contributeur James D. Ballard, Adrian Paul, John S. Rushton, Megan Blake, Danny Trejo, Emad Aly, Tim Bell, Luke Eberl, Richard Clabaugh Voir plus
Langue Anglais, Français
Durée d’exécution 1 heure et 39 minutes
Couleur Couleur
Nombre de disques 1
Fabricant Free Dolphin Entertainment

Description du produit

Eyeborgs, 1 Blu-ray, 99 minutes

Détails sur le produit

  • Rapport de forme ‏ : ‎ 2.35:1
  • Classé ‏ : ‎ Accord parental souhaité
  • Dimensions du colis ‏ : ‎ 18,03 x 13,76 x 1,48 cm; 83,16 grammes
  • Réalisateur ‏ : ‎ Richard Clabaugh
  • Format ‏ : ‎ Couleur, Cinémascope
  • Durée ‏ : ‎ 1 heure et 39 minutes
  • Date de sortie ‏ : ‎ 19 octobre 2011
  • Acteurs ‏ : ‎ Adrian Paul, Megan Blake, Luke Eberl, John S. Rushton, Danny Trejo
  • Doublé : ‏ : ‎ Anglais, Français
  • Sous-titres : ‏ : ‎ Français
  • Langue ‏ : ‎ Anglais (DTS-HD 5.1), Français (DTS-HD 5.1)
  • Studio  ‏ : ‎ Free Dolphin Entertainment
  • ASIN ‏ : ‎ B005G02RP0
  • Nombre de disques ‏ : ‎ 1
  • Commentaires client :
    4,0 sur 5 étoiles 79 évaluations

Commentaires client

4 étoiles sur 5
79 évaluations globales

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  • todd pio
    5,0 sur 5 étoiles Five Stars
    Avis laissé au Canada le 20 avril 2016
    Achat vérifié
    it was great
    Signaler
  • Barney
    5,0 sur 5 étoiles Really great movie!
    Avis laissé aux États-Unis le 1 juillet 2010
    Achat vérifié
    I too saw this movie at a premier. I also got a chance to talk with the director and his wife who wrote the screenplay. I'm not a really big fan of action movies, and this definately had a lot of action, but it was really the dialog that I felt sold the movie. It's witty, fast-paced and more importantly contained a pertinent message. The cast for the most part were great, especially Adrian Paul. He really made the movie. The special effects were good, the robots were believable. The only thing I didn't care for was the jumpy filming at the very beginning of the movie. It was intentional but I didn't think it was necessary. Either way, it didn't last long and so didn't distract from what was a very good movie. Well worth purchasing, especially if you are a fan of Adrian Paul.
    Signaler
  • Ozzieal
    5,0 sur 5 étoiles Great entertainment
    Avis laissé au Royaume-Uni le 19 septembre 2015
    Achat vérifié
    I have to admit I wasn't expecting anything as polished as what I found Eyeborgs to be. It's an interesting premise, that machines have been created that have been given some level of autonomy but also are in danger of being hacked by unscrupulous enemies. It could have been silly but was played straight, with decent acting (Adrian Paul is great as usual) and a cracking pace. The plot was well structured and thoughtfully directed and also lots of fun. I wasn't sure how it was going to be wrapped up in the end but the conclusion was satisfying. In regard to the special effects, those of all the different types of Eyeborgs were surprisingly realistic - I didn't get the feeling of being yanked out of the action which often happens where a movie has low grade effects. My version was DVD and I can see that it is possible to get a copy in Blu-ray (I wish I had spent the extra cash) however I'm not sure how the effects would have held up in high def. The 5.1 sound was pretty good also. A good package all round.
    Signaler
  • A. C. Cronvich
    3,0 sur 5 étoiles Preachy, insulting. and mean.
    Avis laissé aux États-Unis le 24 avril 2011
    Achat vérifié
    This movie has some good points. Great acting, great special effects and technical artistry and it really does have a good story. But it is very radically political and since this came out of Hollywood you can guess what side it will take. If you are even just a little conservative you will find yourself a target of this film and called an A$$Hole every few minutes. This movie even goes so far as to imply that fear of terrorism is simply paranoia and that terrorists are an invention of Right Wing conspirators. Since I know people who have lost family members in the 911 attacks I can assure you that they are not a computer generated illusion and I find this insinuation profoundly insulting. Sick. It is also deadly serious and has no sense of humor at all. Its Metropolis again. But this time, instead of Maria we have mobile cameras that follow you around in public and are now sneaking into peoples houses. The fact that these things are roughly the size of a softball and have legs makes it seem pretty silly that no one ever notices them hiding behind their sofas. Why is hiding so much easier in movies than in real life? Does everyone have glaucoma? We also have cops using contemporary forensics to find digital clues, when it is obviously far into the future. It is as if robotics leaped 200 years into the future and everything else just froze in time. I would say its a sort of would be Robocop, but that film knew its limitations. It had a simple message of good against evil. Eyeborgs (I can't help but think that this movie might have gone farther if it had a less silly title) Reaches to every extreme. White men aren't to be trusted. Anyone over 25 cant be trusted either. A black woman is inherently good a white man is inherently evil. (Bigotry and racism is okay if it is directed at white men.) You get the picture. There is also the issue of impracticality. How many of these things are there and how many of them are wasting their time following around someone who comes home from work at McDonalds and isn't doing anything but lying around playing X Box with a bag of Cheetos on his gut. Incidentally, you cannot invade someones privacy when they are in public. Public is the opposite of private. To be a little optimistic, the twist ending is quite brilliant, if derivative of another series of cyborg movies, and mitigates many of my complaints and I can say that ultimately I think its a good film. But its radicalism left a bad taste in my mouth and I can't say I walked away with clear conscience. The same sort of uneasy feeling I have when I see a Roman Polansky, Woody Allen or Victor Salva movie being shown on TV.
    Signaler
  • Call me Al
    5,0 sur 5 étoiles Don't trust anything you see on a screen
    Avis laissé au Royaume-Uni le 18 octobre 2014
    Achat vérifié
    This is an intelligent exploration of the balance and tension between individual privacy and state security.

    The film's premise is that due to the fear of terrorism the government of the USA has passed a Freedom of Observation Act which allows the constant monitoring of `suspicious persons' by mobile surveillance robots known as eyeborgs. These `spybots' range in size from a tennis ball to a small car and have a genuine air of menace, moving and behaving in ways that suggest a primitive animal sentience. Just as disturbing is the blind acceptance in the infallibility of the technology behind these machines and the government propaganda which justifies such surveillance as necessary in order to protect freedom. As the narrative progresses it is evident that these eyeborgs are not merely passive observers and that their records may not be totally accurate. Eyeborgs is undoubtedly Orwellian in its perspective with significant allusions to the dystopian futures presented by the Terminator and Matrix films, and although it does have its flaws I will definitely be watching it again.
    Signaler
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